Some essential medieval garments and accessories I have made for
Jarno.
Shirt, 2011
Shirt number 1, linen, with a standing collar, gathered neckline
and sleeve ends.
The sleeves are extra long so that they create puffs through the
doublet sleeve lacings. First I only hemmed the sleeve ends, but
they were horribly impractical with anything but the doublet so
that I had to gather them into a band later.
I've also made another almost identical shirt of a finer
linen.
Shirt, 2012
Another, more simple shirt to wear with basic tunics. The sleeves
are shorter and narrower, and the shirt body is also a bit
narrower as the neck is not gathered.
Later I have made about 4-5 of similar ones, as it's nice to have
several fresh shirts on a summer camp.
Separate hose, 2012
When
the
joined hose proved somewhat impractical I made a pair of
separate ones to wear with longer tunics. After battling with
the joined hose it was ridiculously easy to pick the leg part
of the pattern and make a pair of short hose.
First I made a red pair to wear with the
blue houppelande and a bit later another pair from the
remains of the dark green wool I had used for the joined hose.
Like the joined hose these are also cut on the bias. I
sewed the back seam with a narrow zig zag so that it would be
elastic, and finished the hemming and the seam allowances by
hand.

This type of earlier separate hose is fastened to a
belt only on the point at the front. As I was kinda in a hurry
when making the first pair I just made a elastic belt with
brace clips, and haven't gotten to making a proper pair of
belted braies yet. Anyway, the elastic belt is comfortable and
it's hidden anyway.
On the front corner I added a scrap of sturdy linen for
reinforcement.

Garters, 2012
The hose also need
garters to fit well and stay up (as I learned pretty soon after
making the first joined pair).
Garters were the perfect project for trying a favored technique
among many medievalist, tablet weawing. I picked the pattern
from Maikki Karisto's book "Lautanauhat". It worked well on a
garter as both sides look almost identical. I used woollen
thread, which gave the garters plenty of stretch. The ends are
finished in a modern shortcut of machine stitch.
I had chosen a very easy pattern where I could turn all the cards
at once and always on the same direction, but nevertheless even a
small project such as this took some time. It was nice work, but
still I don't see myself beginning a larger project in near
future, but who knows...
Chaperon, 2012
Chaperon-hat evolved from
a 14th century hood which some trendsetter began to wear like a
hat. It is not known whether conspicious amounts of beer had
anything to do with this, but personally I'm strongly inclined
to believe the case being that. By the middle of 15th century
the chaperon was made as a hat, with the original rolled front
edge of the hood now made as a padded roll.
The model and the pattern
come straight from Thursfield's "The medieval tailor's assistant", with the
measurements adjusted to Jarno's head size of course. The gorget
edge is dagged, and I also had a whim to cut the end of the
liripe to a leaf shape.
Sling
for side drum, 2014
When Jarno built himself a side drum I decided it was time to
excavate my tablet weaving cards and try to contribute by making a
sling.
While tablet weaving is a period technique, the thread I chose is
rather thick and I picked the pattern just because it looked nice
and not too complicated. No kind of historical precedent here.
The sling project was valuable practice in tablet weaving. Not
only did I learn to turn the cards both front and back to create
the pattern but also how important it is to get the loom even.
First 50cm was fit for no use whatsoever, but rest was even
enough, though the width is still irregular.
I'm not very good with leather but I joined the ends with an
improvised leather thingy. Again no historical backround to this,
it just seemed a practical solution.
Visually the outcome is pretty if kinda loud and psychedelic, it
would actually look good on a 70's acoustic guitar. But they did
love loud and colorful things in the medieval times too, didn't
they?